What is design taste? Craft, slop, and what a machine can't fake
Everyone can feel the difference between a site that was designed and one that was assembled, even when they cannot name it. That feeling has a name — taste — and in an era where anyone can generate a passable-looking page in minutes, it is quietly becoming the thing that separates products people trust from products they bounce off.
What is design taste?
Taste is the accumulated judgment that turns a hundred small decisions in the right direction. It is not a single flourish or a hero animation. It is the type family chosen and used with restraint, the spacing that is consistent because someone decided on a system, the colour palette that is three considered values rather than fourteen accidental greys. Individually invisible; together, the difference between a page that feels made and a page that feels generated.
It matters commercially, not just aesthetically. A visitor reads craft as competence. If the surface of your product looks templated and careless, they assume the substance is too, and they are often right — the same lack of attention rarely stops at the homepage. Taste is the cheapest credibility signal you have, and the easiest to squander.
What is AI slop?
Slop is the visual and verbal residue of generating a page instead of designing one: the tells that give away work made from defaults and prompts rather than decisions. It is not that AI tools produce it — a careless human produces the same thing. It is that the tools make the default output frictionless, so the defaults show up everywhere. Learning to see the tells is most of the battle.
| Where it shows | The tell |
|---|---|
| Typography | Default system fonts, too many weights, headings that do not establish a real hierarchy |
| Layout | The same centred three-column feature grid, evenly spaced icons, everything symmetrical and nothing prioritised |
| Colour & fills | Stock purple-to-blue gradients, glows used as decoration, no restraint and no reason |
| Copy | Em-dash pile-ups, the rule of three everywhere, phrases like "in today's fast-paced world", confident sentences that say nothing |
| Detail | Fourteen shades of grey, nine button variants, spacing that is almost-but-not-consistent |
The signals of craft
Craft is mostly subtraction. Where slop adds — another gradient, another weight, another column — craft removes until only the decisions that earn their place remain.
- One type family, or two with a clear job each, used at a small set of deliberate sizes.
- A real hierarchy: the most important thing is unmistakably the most prominent thing, and the eye is told where to go.
- A tight, intentional palette — a handful of values that pass contrast, not a drift of near-identical greys.
- Consistent spacing from an actual system, so the rhythm holds across the page instead of wobbling.
- Specific, human copy that could only have been written about this product, by someone who knows it.
How the audit scores trust
Trust is worth 35 of the audit's 100 points, tied with conversion for the heaviest lens. It scores how credible your site looks — and craft is how credibility is built or lost. The check is deliberately concrete: rather than grading vibes, the audit looks for the specific tells — the typographic defaults, the layout clichés, the decorative gradients, the copy smells — and counts what it finds. A finding names the pattern and, where it can, the number: fourteen greys, nine button variants, three competing calls to action.
That specificity is the point. "Fourteen shades of grey and none of them pass contrast" is a finding you can act on. "Elevate your visual language" is the kind of sentence that makes people distrust design audits, because it is unfalsifiable. The audit — a tool built to detect slop — is held to the same standard: it had better not trip its own detector.
How to raise the craft
- Audit your greys and your button variants, then collapse each set to the smallest number that still works. The count itself is usually the finding.
- Commit to one type family and a fixed scale of sizes; delete the extra weights that crept in.
- Remove decorative gradients and glows unless they carry meaning — restraint reads as confidence.
- Establish real hierarchy: make the primary thing the most prominent thing, and demote everything that is competing with it.
- Rewrite the slop copy — the em-dash pile-ups and the empty confident sentences — into specific lines that could only describe your product.
Frequently asked questions about design taste
Is taste subjective?
Less than it feels. The failures are remarkably consistent — the same fonts, the same grids, the same gradients, the same empty phrases. You can catalogue slop, and once you can name the tells, spotting them stops being a matter of opinion.
Does AI-generated design always look like slop?
No. The tools produce slop by default because the defaults are frictionless, but a person with taste can use them and remove the tells. Slop is a symptom of skipping the decisions, not of the tool that made skipping them easy.
Why does craft affect conversion and trust?
Visitors read the surface as a proxy for the substance. A careless interface signals a careless product, and they rarely stick around to be proven wrong. Craft buys you the benefit of the doubt.
How does the free audit judge trust?
It looks for the specific tells — typographic defaults, layout clichés, decorative gradients, copy smells — and counts them, worth 35 points. Each finding names the pattern rather than gesturing at vibes, so you know exactly what to change.
Related guides
- ConversionWhat converts?Conversion optimisation is the work of getting more of your existing visitors to act — without buying more traffic. What a converting page does, where pages leak, and how to fix it.
- AEOWhat is AEO?Answer engine optimisation is the practice of getting AI assistants to read, understand and cite your site. What it is, how citation works, and how to improve it.
- SEOWhat is SEO?Search engine optimisation is the practice of making your site easy to find and rank in search. Its three pillars, and why it is still the foundation for AEO and GEO.
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